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White Snake Projects 2018

“Sarah Coit, as Adonis, projected a bold stage and vocal presence.”

- Aaron Keebaugh, Boston Classical Review


George London Competition Finals 2018

"Mezzo-Soprano Sarah Coit showed a firm coloratura in her energetic account of "Agitato da fiere tempeste" from Handel's Riccardo Primo"

-Eric C. Simpson, New York Classical Review


The Marriage of Figaro

Michigan Opera Theatre 2017

“Sarah Coit’s burnished mezzo-soprano gave her Cherubino a seductive tinge. Her pure, lovely “Voi che sapete” confirmed her bright future, made all the more likely by her undeniable aptitude for physical comedy.” – Jennifer Goltz, Opera News

"Sarah Coit as Cherubino is a star. Her glorious vibrato is richly delicious to the ears. She is also very funny as the young man — her physical comedy and youthful gait are the comedic heartbeat of the production." - Sam White, Oakland Press


Lucia di Lammermoor

Santa Fe Opera 2017

"Apprentice singers filled out the rest of the cast, with mezzo-soprano Sarah Coit distinguishing herself as Alisa, especially in the gorgeous sextet." - Charles T. Downey, The Classical Review

"Sarah Coit was a clear-toned Alisa" - Ilana Walder-Biesanz, Bachtrack


Don Giovanni

Utah Opera 2017

"The evening’s most satisfying moment was Hopkins’s luscious baritone paired with the creamy voiced Sarah Coit (Zerlina). Their perfectly blended tone, chemistry and dramatic urgency made one secretly wish the seduction would prove successful." - Robert Coleman, Opera News

"Mezzo Sarah Coit brings spirit and spunk to the role of the young bride Zerlina, singing all three of her flirtatious arias most beguilingly." - Catherine Reese Newton, The Salt Lake Tribune